The Bloomsbury Introduction to Popular Fiction

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By:Christine Berberich
Published on 2014-12-18 by Bloomsbury Publishing
ISBN 9781441155672

Synopsis
Guiding readers through key writers and genres, historical contexts and major theoretical approaches, this is a comprehensive introduction to the study of popular fiction. Charting the rise of commercial fiction from the 19th century to today, The Bloomsbury Introduction to Popular Fiction includes introductory surveys, written by leading scholars, to a wide range of popular genres, including: Science Fiction Crime Writing Romance and Chick Lit Adventure Stories and Lad Lit Horror Graphic Novels Children's Literature Part II of the book also includes case-study readings of key writers and texts, from the work of HG Wells, Ian Fleming and Raymond Chandler to more recent books such as Pride and Prejudice and Zombies. The book also includes a chapter covering |The Writer's Perspective| on popular publishing, while annotated guides to further reading and online resources throughout give students the tools they need to pursue independent study on their courses.

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Polyphony in Fiction

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By:Masayuki Teranishi
Published on 2008 by Peter Lang
ISBN 9783039113637

Synopsis
The overall aim of this book is the application of stylistic theories and frameworks to literary texts for a deeper level of interpretation. For this purpose the author conducted an analysis based upon the concepts of 'polyphony' and 'focalization' of three novels from different literary periods commonly labeled 'Pre-modernism', 'Modernism', and 'Postmodernism', namely, George Eliot's |Middlemarch| (1871-2), Joseph Conrad's |Nostromo| (1904), and Saul Bellow's |Herzog| (1964). Inspired by the work of Russian linguist-philosopher Mikhail Bakhtin the author attempts to clarify stylistically how polyphony is textualized in each novel and how each mode of polyphony reflects less parochial literary and cultural trends.

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Invisible Planets

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By:Ken Liu
Published on 2016-11-01 by Macmillan
ISBN 9780765384195

Synopsis
Readers at Tor and around the SF world have recently become familiar with Ken Liu and his Chinese translation work via the bestselling and award nominated novel The Three-Body Problem, by acclaimed Chinese author Cixin Liu. Readers who have developed a taste and excitement for Chinese SF by these means will be excited to hear that Ken Liu, the translator of that volume is assembling, translating, and editing an anthology of Chinese science fiction short stories.The thirteen stories in this collection are a strong and diverse representation of Chinese science fiction, including two by Liu Cixin. Some have won awards in translation, some have garnered serious critical acclaim, some have been selected for Year's Best anthologies, and some are simply Ken Liu's personal favorites.To round out the collection, there are several essays from Chinese scholars and authors, plus an illuminating introduction by Ken Liu.

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Fabulous Vernacular

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By:Victoria Kirkham
Published on 2001 by University of Michigan Press
ISBN 9780472111640

Synopsis
An exploration of Boccaccio's |Filocolo|--its cultural and historical context--and a defense against modern criticism

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Political Theory, Science Fiction, and Utopian Literature

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By:Tony Burns
Published on 2008 by Lexington Books
ISBN 9780739122822

Synopsis
This work challenges both the widely accepted view thatThe Dispossessed represents a new kind of literary utopia and the place of Ursula K. Le Guin's novel in the histories of utopian/dystopian literature and science fiction.

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Science Fiction Writers

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By:Richard Bleiler
Published on 1999 by Charles Scribners Sons/Reference
ISBN

Synopsis
Covers nineteenth- and twentieth-century writers of science fiction. Provides biographical information, the historical and/or literary context of the author's work, synopses of major titles, critical commentary, and a selected bibliography listing books by and about the writer.

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A Kind of Fiction

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By:Patricia Kathleen Page
Published on 2001 by The Porcupine's Quill
ISBN 9780889842205

Synopsis
Acclaimed poet P. K. Page weaves together an astonishing range of characters and themes in this remarkable selection of stories written over the last fifty years and collected here for the first time. A Kind of Fiction bears witness to an accomplished prose stylist and displays the same lively and witty intelligence that established her reputation as one of Canada's finest poets. Page emerges as a writer with an agile and playful imagination, comfortable with a range of narrative styles that include the comic and surreal plots of her early pieces from the 1940s, adaptations of Indian and Sufi tales, and the complex psychological portraits of her recent work. Despite the variety of styles and themes, all the stories in this collection bear the imprint of a refined artistic vision and a sense of technique and form which has been the defining characteristic of her distinguished body of poetry. P.K. Page has written some of the best poems published in Canada for over five decades. In addition to winning the Governor General's award for poetry in 1957, she was appointed a Companion of the Order of Canada in 1999. She is the author of more than a dozen books, which include ten volumes of poetry, a novel, selected short stories, three books for children, and a memoir entitled Brazilian Journal based on her extended stay in Brazil. A two-volume edition of her collected poems, The Hidden Room (PQL), was published in 1997.

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Science Fiction

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By:Roger Luckhurst
Published on 2005-05-06 by Polity
ISBN 9780745628936

Synopsis
In this new and timely cultural history of science fiction, Roger Luckhurst examines the genre from its origins in the late nineteenth century to its latest manifestations. The book introduces and explicates major works of science fiction literature by placing them in a series of contexts, using the history of science and technology, political and economic history, and cultural theory to develop the means for understanding the unique qualities of the genre. Luckhurst reads science fiction as a literature of modernity. His astute analysis examines how the genre provides a constantly modulating record of how human embodiment is transformed by scientific and technological change and how the very sense of self is imaginatively recomposed in popular fictions that range from utopian possibility to Gothic terror. This highly readable study charts the overlapping yet distinct histories of British and American science fiction, with commentary on the central authors, magazines, movements and texts from 1880 to the present day. It will be an invaluable guide and resource for all students taking courses on science fiction, technoculture and popular literature, but will equally be fascinating for anyone who has ever enjoyed a science fiction book.

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The Musicalization of Fiction

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By:Werner Wolf
Published on 1999 by Rodopi
ISBN 9789042004573

Synopsis
This volume is a pioneering study in the theory and history of the imitation of music in fiction and constitutes an important contribution to current intermediality research.Starting with a comparison of basic similarities and differences between literature and music, the study goes on to provide outlines of a general theory of intermediality and its fundamental forms, in which a more specialized theory of the musicalization of (narrative) literature based on contemporary narratology and a typology of the forms of musico-literary intermediality are embedded. It also addresses the question of how to recognize a musicalized fiction when reading one and why Sterne's Tristram Shandy, contrary to what has been previously said, is not to be regarded as a musicalized fiction.In its historical part, the study explores forms and functions of experiments with the musicalization of fiction in English literature. After a survey of the major preconditions for musicalization - the increasing appreciation of music in 18th and 19th-century aesthetics and its main causes - exemplary fictional texts from romanticism to postmodernism are analyzed. Authors interpreted are De Quincey, Joyce, Woolf, A. Huxley, Beckett, Burgess and Josipovici. Whilst the limitations of a transposition of music into fiction remain apparent, experiments in this field yield valuable insights into mainly a-mimetic and formalist aesthetic tendencies in the development of more recent fiction as a whole and also show to what extent traditional conceptions of music continue to influence the use of this medium in literature.The volume is of relevance for students and scholars of English, comparative and general literature as well as for readers who take an interest in intermediality or interart research.

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The Cambridge Companion to Science Fiction

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By:Edward James,Farah Mendlesohn
Published on 2003-11-20 by Cambridge University Press
ISBN 9780521016575

Synopsis
Science fiction is at the intersection of numerous fields. It is a literature which draws on popular culture, and which engages in speculation about science, history, and all types of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from these different angles. It examines science fiction from Thomas More to the present day, and introduces important critical approaches including Marxism, postmodernism, feminism and queer theory. A number of well-known science fiction writers contribute to this volume.

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Gothic Forms of Feminine Fictions

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By:Susanne Becker
Published on 1999 by Manchester University Press
ISBN 9780719053313

Synopsis
Gothic forms of feminine fictions is a study of the powers of the Gothic in late twentieth-century fiction and film. Susanne Becker argues that the Gothic, two hundred years after it emerged, exhibits renewed vitality in our media age with its obsession for stimulation and excitement. Today's globalised entertainment culture, relying on soaps, reality TV shows, celebrity and excess, is reflected in the emotional trajectory of the Gothic's violence, eroticism and sentimental excess. Gothic forms of feminine fictions discusses a wide range of anglophone Gothic romances, from the classics through pulp fictions to a postmodern Gothica. This timely and original study is a major contribution to gender and genre theory as well as cultural criticism of the contemporary. It will appeal to scholars in a wide range of fields and become essential for students of the Gothic, contemporary fiction - particularly Alice Munro and Margaret Atwood - and popular culture.

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Brave New Words

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By:Jeff Prucher
Published on 2007-05-07 by Oxford University Press
ISBN 9780199885527

Synopsis
Winner of a 2008 Hugo Award, this new paperback takes readers on spectacular tour of the language created by science fiction. From |Stargate| to |Force Field,| this dictionary opens a fascinating window into an entire genre, through the words invented by science fiction's most talented writers, critics, and fans. Each entry includes numerous citations of the word's usage, from the earliest known appearance forward. Drawn not only from science fiction novels and stories, citations also come from fanzines, screenplays, comics, songs, and the Internet.

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Masterpieces

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By:Orson Scott Card
Published on 2004-03-02 by Penguin
ISBN 9781101208182

Synopsis
An overview of the best science fiction short stories of the 20th century as selected and evaluated by critically-acclaimed author Orson Scott Card. Featuring stories from the genre's greatest authors: Isaac Asimov, Arthur C. Clarke, Robert A. Heinlein, Ursula K. Le Guin, Ray Bradbury, Frederik Pohl, Harlan Ellison, George Alec Effinger, Brian W. Aldiss, William Gibson & Michael Swanwick, Theodore Sturgeon, Larry Niven, Robert Silverberg, Harry Turtledove, James Blish, George R. R. Martin, James Patrick Kelly, Karen Joy Fowler, Lloyd Biggle, Jr., Terry Bisson, Poul Anderson, John Kessel, R.A. Lafferty, C.J. Cherryh, Lisa Goldstein, and Edmond Hamilton

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Contemporary American Women Fiction Writers

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By:Laurie Champion,Rhonda Austin
Published on 2002 by Greenwood Publishing Group
ISBN 9780313316272

Synopsis
Covers more than sixty women who published significant fiction after 1945, with a brief biography, exposition of major works and themes, survey of critical reception, and references to primary and secondary sources for each.

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Romantic Correspondence

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By:Mary A. Favret
Published on 2005-01-27 by Cambridge University Press
ISBN 9780521604284

Synopsis
This study of correspondence in the Romantic period calls into question the common notion that letters are a particularly 'romantic', personal, and ultimately feminine form of writing.

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Science Fiction and Empire

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By:Patricia Kerslake
Published on 2007 by Liverpool University Press
ISBN 9781846310249

Synopsis
From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies

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A Brief History of Chinese Fiction

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By:Lu Hsun
Published on 2000 by The Minerva Group, Inc.
ISBN 9780898751543

Synopsis
Lu Hsun, pioneer and standard-bearer of modern Chinese literature, wrote this book during the early twenties. It is a study of the historical development of Chinese fiction from early myths and legends down to well-developed long novels written at the end of the Ching Dynasty.The characteristics of various forms of fiction through the centuries, the development of these forms and their influence on each other are lucidly presented, while such major works as the novels Hung Lou Meng (A Dream of Red Mansions) and Shue Hu Chuan (Water Margin) are reviewed in detail.Chinese fiction had its roots in story telling, and the feudal ruling class despised folk literature of this kind. The May 4th Movement of 1919 dealt a mortal blow to the feudal forces in Chinese culture. Then the study of this form of literature began to make headway, Lu Hsun being one of the first to carry out research in this field.This book, the earliest systematic study of the history of Chinese fiction by a Chinese writer, still exercises a great influence among Chinese scholars.This English translation is illustrated with reproductions of early Chinese woodcuts.

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The Nature of Fiction

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By:Gregory Currie
Published on 1990-10-26 by Cambridge University Press
ISBN 9780521381277

Synopsis
This important book provides a theory about the nature of fiction, and about the relation between the author, the reader and the fictional text. The approach is philosophical: that is to say, the author offers an account of key concepts such as fictional truth, fictional characters, and fiction itself. The book argues that the concept of fiction can be explained partly in terms of communicative intentions, partly in terms of a condition which excludes relations of counterfactual dependence between the world and the text. This communicative model is then applied to the following problems: how can something be 'true in the story' without being explicitly stated in the text? In what ways does interpreting a fictional story depend upon grasping its author's intentions? Is there always a unique best interpretation of a fictional text? What is the correct semantics for fictional names? What is the nature of our emotional response to a fictional work? In answering these questions the author explores the complex interaction between author, reader, and text. This interaction requires the reader to construct a 'fictional author' - a character in the story whose personality, beliefs and emotional states must be interpreted if the reader is to grasp the meaning of the work.

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Gender and the Gothic in the Fiction of Edith Wharton

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By:Kathy A. Fedorko
Published on 1995 by University Alabama Press
ISBN

Synopsis
Using feminist archetypal theory and theory of the female Gothic, Fedorko shows how, in sixteen short stories and six major novels written during four distinct periods of her life, Wharton adopts and adapts Gothic elements as a way to explore the nature of feminine and masculine ways of knowing and being and to dramatize the tension between them. A distinction in her use of the form is that she has both women and men engage in a process of individuation during which they confront the abyss, the threatening and disorienting feminine/maternal. Wharton deconstructs traditional Gothic villains and victims by encouraging the reader to identify with those characters who are willing to assimilate this confrontation with the feminine/maternal into their sense of themselves as women and men. In the novels with Gothic texts Wharton draws multiple parallels between male and female protagonists, indicating the commonalities between women and men and the potential for a fe/male self. Eventually, in her last completed novel and her last short story, Wharton imagines human beings who are comfortable with both gender selves. Fedorko's study challenges existing views of the nature of Wharton's realism as well as the nature and importance of her fiction that defies that categorization. It provides a provocative approach to Wharton's handling of and response to gender and complicates current assumptions about her response to the feminine and the maternal.

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Biotechnological and Medical Themes in Science Fiction

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By:Domna Pastourmatzi
Published on 2002 by
ISBN

Synopsis

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The Art of Fiction

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By:John Gardner
Published on 2010-08-18 by Vintage
ISBN 9780307756718

Synopsis
This classic guide, from the renowned novelist and professor, has helped transform generations of aspiring writers into masterful writers—and will continue to do so for many years to come. John Gardner was almost as famous as a teacher of creative writing as he was for his own works. In this practical, instructive handbook, based on the courses and seminars that he gave, he explains, simply and cogently, the principles and techniques of good writing. Gardner’s lessons, exemplified with detailed excerpts from classic works of literature, sweep across a complete range of topics—from the nature of aesthetics to the shape of a refined sentence. Written with passion, precision, and a deep respect for the art of writing, Gardner’s book serves by turns as a critic, mentor, and friend. Anyone who has ever thought of taking the step from reader to writer should begin here. From the Trade Paperback edition.

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Science Fiction

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By:Mark Bould
Published on 2012 by Routledge
ISBN 9780415458108

Synopsis
Science Fiction explores the genre from 1895 to the present day, drawing on examples from over forty countries. It raises questions about the relationship between science fiction, science and technology, and examines the interrelationships between spectacle, narrative and self-reflexivity, paying particular attention to the role of special effects in creating meaning and affect. It explores science fiction's evocations of the sublime, the grotesque, and the camp, and charts the ways in which the genre reproduces and articulates discourses of colonialism, imperialism and neo-liberal globalization. At the same time, Science Fiction provides a thorough analysis of the genre's representation of race, class, gender and sexuality, making this text an essential guide for students, academics and film fans alike. Key films discussed include: Le voyage dans la lune (1902) 20,000 Leagues under the Sea (1916) L'Atlantide (1921) King Kong (1933, 2005) Gojira (1954) La Jetée (1962) The Abominable Dr Phibes (1971) Tetsuo (1989) Sleep Dealer (2008) Avatar (2009)

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Dressed in Fiction

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By:Clair Hughes
Published on 2006-02-05 by Berg Publishers
ISBN 9781845201722

Synopsis
When we look closely at dress in a novel we begin to enrich our sense of the novel's historical and social context. More than this, wealth, class, beauty and moral rectitude can all be coded in fabric. In the modern novel, narratives are increasingly situated within the consciousness of characters, and it is the experience of dress that tells us about the context and the emotional, political and psychological values of the characters. Dressed in Fiction traces the deployment of dress in key fictional texts of the eighteenth and nineteenth centuries, from Daniel Defoe's Roxana to George Eliot's Middlemarch and Edith Wharton's The House of Mirth. Covering a range of topics, from the growth of the middle classes and the association of luxury with vice, to the reasons why wedding dresses rarely ever symbolize happiness, the book presents a unique study of the history of clothing through the most popular and influential literature of the eighteenth and nineteenth centuries.

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Masculinity in Fiction and Film

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By:Brian Baker
Published on 2006-05-10 by A&C Black
ISBN 9780826486523

Synopsis
Covers wide range of popular British and American fiction and film including Westerns, spy fiction, science fiction and crime narratives.

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Framing Feeling

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By:Barbara M. Benedict
Published on 1994 by Ams PressInc
ISBN

Synopsis
This text studies the sentimental fiction of the 18th century. It aims to show that the emphasis placed on the framing in a disciplined art form, provides a corrective to standard notions of how sentiment ran away with art in the latter half of the 18th century.

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